The biggest dispute between african American hair and haircloth of other ethnicities is the texture. It is often more coarse and can range from close, corkscrew curls to a cushy, about bleary texture. It can besides be straightened, in which case you would draw it like any other hair .
african American hair’s-breadth is besides very black. I would use a combination of 2B and 4B pencils, possibly even a 6B. Because of the coarse texture and benighted discolor, this type of hair doesn ’ metric ton reflect light vitamin a much. This means that your highlights will be merely slenderly lighter than the rest of the haircloth. Let ’ s look at an exercise :
here we have an case of a identical curly style of african American hair. Take a look at the values. Notice how the darkest respect is closely black, and the lightest value is still a very dark gray. When working with night hair like this, you are working at the dark goal of the prize scale, even when drawing the highlights .
These are the values I pulled out of the above word picture. The left-most grey is the foreground, the lightest partially of the hair. The center gray is the midtones and the black is the shadows. As you can see, there is no bright white highlight in this haircloth !
Using the above prototype as a reference, I ’ thousand going to show you how I would go about drawing curly, african American haircloth .
hera, I have used a 2H pencil to draw the outlines of the basic shapes I ’ thousand working with. For the determination of this tutorial, I ’ thousand going to ignore the faces and focus on only hair .
adjacent, I use my 2B and create a layer of very tight, spirals. I ’ thousand avoiding the edges of the hair and where it falls on the frontal bone because I will add that in at the goal. This creates a base layer that reflects the texture of the hair. then I used a big tortillon in a coiling gesture to blend out my pencil lines .
Take your 4B pencil and start to lay in the shadows. Use the spiral motion again, and pay close attention to the reference book. This is where we can start to highlight some of the individual curl in the hair by defining the colored shadows around them. Remember that you don ’ t have to draw every little detail, fair look for the patterns of idle and dark created by the hair. Create black shadows by layering more graphite, then blend it out using the large tortillon .
adjacent, I used my 6B pencil to create even colored shadows, again avoiding the light areas that are the curls. then I used the tortillon to blend out the entire area of hair. This tones down the highlights a little, but that ’ s o.
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immediately for the finish up touches. Create a fine target with your kneaded eraser and pick out a few highlights along each curl of hair. Use short, swerve lines to mimic the direction of the hair’s-breadth. then, using your 3B, add some details around the edges of the hair and onto the frontal bone. These fly-aways are what make the hair look naturalistic. I used more of a zigzag line than a helix model to re-create the expression of the ends of each curl. You can besides use the tortillon to soften these lines slightly .
Do you have a burning question or a great idea for a tutorial? Let me know!